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Muse Sick-N-Hour Mess Age
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Public Enemy ‎
Muse Sick-N-Hour Mess Age
moon records
Про альбом

Треклист


1. Whole Lotta Love Goin On In The Middle Of Hell
Backing Vocals – Tet
Engineer [Recording And Mix] – Nick Sansano
Music By – Gary G-Wiz, Studdah Man
Producer – Carl Ryder, Gary G-Wiz
Producer [Asst. Producer] – Studdah Man
Turntables [Dj Work] – Kamron, Terminator X
Written-By – C. Ridenhour, Gary G-Wiz, Studdah Man
2. Theatrical Parts
Engineer [Recording And Mix] – Nick Sansano
Producer – Bomb Squad Production
Written-By – C. Ridenhour
3. Give It Up
Engineer [Recording And Mix] – Nick Sansano
Music By – Gary G-Wiz
Musician – Paul Reisch, Tom Costello
Producer – Carl Ryder, Gary G-Wiz
Producer [Asst. Producer] – Studdah Man
Written-By – C. Ridenhour, Gary G-Wiz, Studdah Man
Written-By [Contains An Interpolation Of "Opus De Soul"] – A. Isbell, M. Thomas
4. What Side You On?
Co-producer – Kerwin Young
Drums [Drummer] – Nathaniel Townsley III
Engineer [Recording And Mix] – Gerry Comito
Mixed By [Mix Consultant] – Kerwin Young AKA Sleek
Producer – Bomb Squad Production
Turntables [Dj Work] – Terminator X
Written-By – C. Ridenhour, K. Young
5. Bedlam 13:13
Co-producer – Larry (Panic) Walford
Engineer [Recording And Mix] – Gerry Comito
Mixed By [Mix Consultant] – Kerwin (Sleek) Young
Producer – Bomb Squad Production
Turntables [Dj Work] – Terminator X
Written-By – C. Ridenhour, L. Walford
6. Stop In The Name...
Co-producer – Larry (Panic) Walford
Engineer [Recording And Mix] – Jimmy O'Neil
Producer – Bomb Squad Production
Written-By – C. Ridenhour, L. Walford
7. What Kind Of Power We Got?
Co-producer – Kerwin Young AKA Sleek
Drums [Drummer] – Nathaniel Townsley III
Engineer [Recording And Mix] – Gerry Comito
Performer [Samples From "(for God's Sake) Give More Power To The People" Performed By] – The Chi-Lites
Producer – Flavor Flav
Turntables [Dj Work] – Kevin Boone
Written-By – K. Young, W. Drayton
Written-By [Samples From "(for God's Sake) Give More Power To The People" Written By] – E. Record
8. So Whatcha Gone Do Now?
Engineer [Recording And Mix] – Nick Sansano
Music By – Gary G-Wiz, Studdah Man
Producer – Carl Ryder, Gary G-Wiz
Producer [Asst. Producer] – Studdah Man
Written-By – C. Ridenhour, Gary G-Wiz, Studdah Man
9. White Heaven / Black Hell
Engineer [Recording And Mix] – Gerry Comito
Performer [Contains Elements From "(girl) I Love You" Performed By] – The Temprees
Producer – Bomb Squad Production
Written-By – C. Ridenhour
Written-By [Contains Elements From "(girl) I Love You"] – C. Hampton, J. Bridges, E.L. Nixon
10. Race Against Time
Engineer [Recording And Mix] – Nick Sansano
Music By – Gary G-Wiz, Studdah Man
Producer – Carl Ryder, Gary G-Wiz
Producer [Asst. Producer] – Studdah Man
Turntables [Dj Work] – Kamron
Written-By – C. Ridenhour, Gary G-Wiz, Studdah Man
11. They Used To Call It Dope
Engineer [Recording And Mix] – Nick Sansano
Producer – Bomb Squad Production
Written-By – C. Ridenhour
12. Aintnuttin Buttersong
Co-producer – Easy Mo Bee
Drums [Drummer] – Nathaniel Townsley III
Engineer [Recording And Mix] – Gerry Comito
Mixed By [Mix Consultant] – Kerwin Young
Performer [Samples From "Do Your Dance" Performed By] – Rose Royce
Producer – Bomb Squad Production
Turntables [Dj Work] – Terminator X
Written-By – C. Ridenhour, O. Harvey
Written-By [Samples From "Do Your Dance" Written By] – N. Whitfield, Dwight Turner
13. Live And Undrugged Pt. 1 & 2
Co-producer – Kerwin Young AKA Sleek
Drums [Drummer] – Nathaniel Townsley III
Engineer [Recording And Mix] – Gerry Comito
Producer – Bomb Squad Production
Turntables [Dj Work] – Terminator X
Written-By – C. Ridenhour, K. Young
14. Thin Line Between Law & Rape
Co-producer – Larry (Panic) Walford
Engineer [Asst. Mix] – Liz M.
Engineer [Mix] – Dino Zervos
Engineer [Recording] – Gerry Comito
Mixed By [Mix Consultant] – Kerwin Young
Producer – Bomb Squad Production
Turntables [Dj Work] – Kevin Boone
Written-By – C. Rochester, C. Ridenhour, L. Walford
15. I Ain't Mad At All
Backing Vocals [Backgrounds] – Bemshi, Norma Jean Wright, Paulette McWilliams
Coordinator [Production Coordinator] – Felicia Newsome
Engineer [Asst. Mix] – Danny Madorski
Engineer [Asst. Recording] – Layng Martine
Engineer [Mix] – Rod Hui
Engineer [Recording] – Bob Musseo
Horns – "Chops"
Horns ["Chops" =] – Bill Mobley, Darryl Dixon, David Watson
Producer – Keith Shocklee
Programmed By – Keith Shocklee
Written-By – C. DeHaney, K. Shocklee, R. Doo, The Alias K.B., W. Drayton
16. Death Of A Carjacka
Engineer [Recording And Mix] – Gerry Comito
Producer – Bomb Squad Production
Turntables [Dj Work] – Terminator X
Written-By – C. Ridenhour
Written-By [Samples From "Hold On I'm Coming" Written By] – David Porter, Isaac Hayes
17. I Stand Accused
Co-producer – Easy Mo Bee
Engineer [Recording And Mix] – Gerry Comito
Mixed By [Mix Consultant] – Kerwin Young
Producer – Bomb Squad Production
Turntables [Dj Work] – Kevin Boone
Written-By – C. Ridenhour, K. Shocklee, O. Harvey
18. Godd Complexx
Backing Vocals [Backgrounds] – Carl DeHaney, Keith Shocklee, Umar Bin Hassan
Coordinator [Production Coordinator] – Felicia Newsome
Engineer [Asst. Mix] – Danny Madorski
Engineer [Asst. Recording] – Imad Mansour
Engineer [Mix] – Rod Hui
Engineer [Recording] – Bob Musseo
Producer – Keith Shocklee
Programmed By – Keith Shocklee
Written-By – A. Pudim
Written-By [Is An Arrangement Of "White Man's Got A God Complex" Written By] – Alafia Pudim
19. Hitler Day
Co-producer – Larry (Panic) Walford
Drums [Drummer] – Nathaniel Townsley III
Engineer [Recording And Mix] – Gerry Comito
Mixed By [Mix Consultant] – Kerwin Young
Producer – Bomb Squad Production
Turntables [Dj Work] – Kevin Boone
Written-By – C. Ridenhour, L. Walford
20. Harry Allen's Interactive Superhighway Phone Call To Chuck D
Co-producer – Kerwin (Sleek) Young
Engineer [Recording And Mix] – Gerry Comito
Producer – Bomb Squad Production
Written-By – C. Ridenhour, H. Allen, K. Young
21. Living In A Zoo (Remix)
Engineer [Asst.] – J-Technique
Engineer [Recording And Mix] – Gary G-Wiz
Remix – Gary G-Wiz, Studdah Man

 "Muse-Sick-N-Hour-Mess-Age" вышел в 1994 году. К этому времени ситуация на рэп сцене сильно изменилась. Не имея желания сдерживаться, группа решила, что пришло время поднести зеркало к черной расе и музыкальной индустрии — темы уже затронутые ими ранее, но никогда до такой степени. Вызвав удивление поклонников при выходе, теперь этот альбом считается ими одной из лучших работ группы.


 

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